ARI Working Paper Series

Over the last decade, young Thai artists seem to have developed a variety of visual interests and methodologies through which they express their artistic inclinations. New media (digital and computer-based artwork) is used alongside traditional mediums such as leather carving, a comparatively vernacular practice. Figurative paintings are produced at the same time as technically sophisticated installations that combine aesthetic pleasure with community values. Are there some detectable common themes and methodologies in the practices of twenty-first century Thai artists (those born in the 1970s and 80s)? And, if so, how do they differ from the lessons of the senior artists (those born in the 1950s and 60s)?

The aim of this essay is to critically observe which cultural and artistic practices are favoured by the younger generation and why, in order to formulate an informed understanding on whether the emerging artists are continuing, moving away or simply readapting the lessons of their seniors.