Secularization, Religion and the State

The classic secularization thesis of modernizarion has long dominated the study of religion. According to this view, modernizing societies become increasingly secular and rational in worldview, and restrict religion to a private, irrational sphere. Scholars have recently begun to question the secularization thesis, seeking continuities between the pre-modern and the modern, and destabilizing the boundary …

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Theorising Media and Practice

Although practice theory has been a mainstay of social theory for nearly three decades, so far it has had very limited impact on media studies. This book draws on the work of practice theorists such as Wittgenstein, Foucault, Bourdieu, Barth adn Schatzki and rethinkd the study of media from the perspective of practice theory. Drawing …

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WPS 149 Of Pathogens and Empires: The Discourse of Public Health in Katherine Mayo’s The Isles of Fear – The Truth about the Philippine Islands (1925)

In the 1920s, as the Philippines and India intensified their nationalist attempts at independence from the U.S. and British empires, an American woman journalist, Katherine Mayo, would publish two books—The Isles of Fear (1925) and Mother India (1927)—hostile to the peoples’ struggles by foregrounding the notion of race as proof why independence must not be …

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Global Social Policy – Special Issue: Medical Travel and Global Social Policy (Vol. 10 No. 3)

Global Social Policy is a fully peer-reviewed journal that advances understandings of social policy, social development, social and health governance, gender and poverty, social welfare, education, employment, and food, and the advantages and disadvantages of globalisation, from transnational and global perspectives. The journal publishes scholarly and policy-oriented articles that address global social policy discourse, and practice …

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New Cinemas: Journal of Contemporary Film (Vol. 8 No. 3)

New Cinemas provides a peer-reviewed platform for scholarship that broadens and elaborates our knowledge of late-twentieth century and contemporary cinematic theory and practice. Welcoming approaches that do not take existing conceptual paradigms and canons as given, it anticipates submissions that refresh our understanding of established bodies of work as well as those which tackle practices …

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